ABOUT KURT VONNEGUT
Tiger got to hunt, bird got to fly; Man got to sit and wonder, ‘Why, why, why?’ Tiger got to sleep, bird got to land; Man got to tell himself he understand.
A Brief Biography by William Rodney Allen
Kurt Vonnegut, Jr. was born on November 11, 1922 in Indianapolis, Indiana, a city he would later use in his novels as a symbol of American values. Kurt Sr. was one of the most prominent architects in the city, and his wife, Edith, the daughter of a wealthy Indianapolis brewer. Kurt Jr. was the youngest of their three children, along with middle child Alice and first-born Bernard. The fortunes of the family changed dramatically during the Depression when Kurt Sr. saw his architectural business disappear. He had to sell the family home and take Kurt Jr. out of private school, the Orchard School, where, in kindergarten, Kurt had met Jane Cox, who eventually became his wife. This radical change in economic circumstances caused Kurt Sr. virtually to give up on life and his wife Edith to become addicted to alcohol and prescription drugs. Kurt Jr.’s lifelong pessimism clearly had its roots in his parents’ despairing response to being blindsided by the Depression.
At Shortridge High, Vonnegut wrote for the student paper, The Echo, and he continued his interest in journalism at Cornell, becoming managing editor of the student paper, The Sun. Vonnegut would be influenced all his writing life by the simple rules of journalism: get the facts right, compose straightforward declarative sentences, know the audience. Vonnegut studied chemistry at Cornell but later confessed he was a “lousy student.”
When World War II broke out, Vonnegut was sixteen: at 20 he entered the army and was sent to Europe, where he was almost immediately captured by the Germans in the Battle of the Bulge. He was sent as a POW to Dresden, where on February 13, 1945 British and American bombers destroyed the city by dropping high explosives followed by incendiary bombs. The resulting firestorm turned the non-militarized city into an inferno that killed up to 60,000 civilians. Vonnegut and his fellow POWs survived by accident only because they were housed some sixty feet underground in a former meat locker and slaughterhouse. Vonnegut’s job for weeks after the bombing was to gather up and burn the remains of the dead. His experience at Dresden marked him for life and eventually resulted in his literary masterpiece, Slaughterhouse-Five. Yet another sorrow of the war years was the suicide by drug overdose in 1944 of Vonnegut’s mother.
After the war Vonnegut married Jane Cox, and they had their first child, Mark.
Vonnegut took an advertising job at General Electric to support his family but began writing short fiction on the side. During this time Kurt and Jane had two more children, Edith and Nanette. Vonnegut redoubled his efforts to publish his stories. In 1952 his dystopian apprentice novel Player Piano was published. Vonnegut’s beloved sister Alice Adams died of cancer in 1957, just two days after her husband had been killed in a freak commuter train crash. Kurt and Jane took in three of Alice’s children, doubling the size of their family overnight. It became more imperative for Vonnegut to bring in more money.
Within 10 years following the arrival of the Adams boys, the short-story market was drying up, and Vonnegut turned his attention to novels. Vonnegut published the whimsical sci-fi epic The Sirens of Titan; the spy novel, Mother Night; a fanciful anthropological satire of religion, Cat’s Cradle; a critique of economic injustice, God Bless You, Mr. Rosewater; and in 1969 his Dresden novel, Slaughterhouse-Five. In these books, he mastered his trademark black comic voice, making his audience laugh despite the horrors he described. Vonnegut had already developed a cult following of college students, but he broke through to a mass audience with Slaughterhouse-Five and the excellent film version of the novel that soon followed. By the early 1970s, Vonnegut was one of the most famous, living writers on earth.
Yet, the 1970s proved a difficult time for Vonnegut. After his children grew up and left home, his long marriage to Jane fell apart. He moved alone from Cape Cod to New York City, became withdrawn and depressed and suffered from writer’s block. His son Mark suffered a bipolar disorder breakdown early in the decade but recovered to write a book about it called The Eden Express. The disintegration of families became a major theme in Vonnegut’s two novels in the middle 1970s, Breakfast of Champions and Slapstick. While not altogether successful as fiction, these books helped Vonnegut work through the emotional problems that had plagued him since childhood.
In the 1980s Vonnegut entered a second major phase of his career. His 1979 marriage to photographer Jill Krementz formalized their relationship of several years, and the social realist novels Jailbird, Deadeye Dick, and Bluebeard showed a remarkable resurgence of Vonnegut’s career after the critical backlash he had suffered in the 1970s. His novel Galapagos was a brilliant look at Vonnegut’s concerns that the “oversized human brain” was ironically leading mankind to possible extinction. At this time Vonnegut also published his third major collection of essays, Palm Sunday. Throughout the 1980s and 1990s, Vonnegut acted as a powerful spokesman for the preservation of our Constitutional freedoms, for nuclear arms control and for the protection of the earth’s fragile biosphere.
As this new century began, Vonnegut continued to try to be, as he said, “a responsible elder in our society,” decrying the militarization of our county after the terrorist attacks of 2001. In his last novel, Timequake, and in his last collection of essays, A Man without a Country, Vonnegut powerfully expressed his sense that corporate greed, overpopulation, and war would in the end win out over simple humanity. As he ruefully apologized to those who would come after him, “We could have saved the world, but we were just too damned lazy.”
Kurt Vonnegut died on April 11, 2007 after a fall on the steps of his New York brownstone. He was mourned the world over as one of the great American writers of the second half of the 20th Century.
Player Piano (1952); pub. as Utopia 14 (1954); repub. as Player Piano (1966)
The Sirens of Titan (1959)
Mother Night (1961)
Cat’s Cradle (1963)
God Bless You, Mr. Rosewater, or Pearls Before Swine (1965)
Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death (1969)
Breakfast of Champions, or Goodbye Blue Monday (1973)
Slapstick, or Lonesome No More (1976)
Deadeye Dick (1982)
Galápagos: A Novel (1985)
Hocus Pocus (1990)
Collections (Short Fiction, Essays, Etc.)
Canary in a Cathouse (1961)
Welcome to the Monkey House: A Collection of Short Works (1968)
Wampeters, Foma, and Granfalloons (1974)
Palm Sunday: An Autobiographical Collage (1981)
Nothing Is Lost Save Honor: Two Essays (1984)
Fates Worse than Death : an Autobiographical Collage of the 1980s (1991)
Bagombo Snuff Box: Uncollected Short Fiction (1999)
God Bless You, Dr. Kevorkian (1999)
A Man Without a Country: A Memoir Of Life In George W. Bush’s America (2005)
Armageddon in Retrospect (2008)
Look at the Birdie: Unpublished Short Fiction (2009)
While Mortals Sleep: Unpublished Short Fiction (2011)
Penelope (1960), revised as Happy Birthday, Wanda June (1970)
Between Time and Timbuktu, or Prometheus-5: A Space Fantasy (1972)
Make Up Your Mind (1993)
Miss Temptation (1993)
L’Histoire du Soldat, adaptation (1993)